Sacred Scams: Part Two
Faith has inspired some of humanity's most meaningful realizations—but as we witnessed last week, it has also given rise to some of the most audacious deceptions. This week we will unravel more stories that have engrossed and misled the masses and get a greater glimpse into the intersection of faith, power, and the imagination.
Fables and Fakes
The following examples highlight tales of trickery that have managed to dazzle, arouse controversies, and, in some cases, even influence the course of religious thought.
The Letter of Benen
Written in the 5th century, the Letter of Benen was a letter written by Benen, better known as Saint Benignus, who was the successor of Saint Patrick as the Bishop of Armagh. Within the lines, Benen provided a first-hand dramatized account of Saint Patrick’s missionary work in Ireland, detailing his teachings, miracles, supernatural events, and interactions with the local pagan chieftains.
Adding to its appeal and value, the letter was initially presented as an ancient and newly discovered artifact. Excitement surged with the discovery of the letter, as it appeared to offer fresh insights about Saint Patrick and early Christianity in Ireland. Nevertheless, experts were skeptical of the letter's validity. Examination of the letter exposed blatant linguistic inconsistencies, confirming their suspicions that the letter was a forgery.
The Gospel of Barnabas
"The Gospel of Barnabas - Frontispiece - Facsimile of Pages 1 and 734 of the Vienna Manuscript" is in the public domain. Available at Wikimedia Commons.
The Gospel of Barnabas is a controversial and widely discredited text that has been the subject of much debate and speculation since its discovery. Claiming to be a missing gospel written by Paul’s companion, Barnabas, the written work debuts a version of teachings that glaringly deviates from traditional Christian teachings.
The gospel appeared to draw heavily on Islamic teachings and themes, claiming that Jesus was not the Son of God, but merely a prophet, and that he foretold the coming of Muhammad-the true Messiah. It further states that Christ taught a strict adherence to the Law of Moses, and rejects the idea of Jesus' crucifixion, stating that Judas Iscariot was crucified in Jesus' place after being miraculously transformed to look like him.
The substantial correlation between the gospel and Islamic beliefs immediately raised questions about the gospel’s authenticity. Speculating that the text was created to either serve as a bridge between Christianity and Islam or assert Islamic superiority, experts got to work. Apart from the clashing message, the use of references to things that had not yet been invented during biblical times and the results of linguistic analysis determining that the text was likely written in Italian or Spanish during the late Middle Ages permitted experts to confidently debunk the text as nothing more than something designed to validate Islamic beliefs.
Even so, it has been used to support arguments that Christian Gospels were corrupted over time, and early Christianity was actually more in line with Islamic teachings. Others have used it to promote interfaith dialogue.
The Monkey Christ
"Ecce Homo" by Elías García Martínez is in the public domain. Available at Wikimedia Commons.
In 1930, Spanish artist, Elías García Martínez, adorned the wall of the Sanctuary of Mercy church with a fresco (type of painting) depicting Christ wearing a crown of thorns. Titled Ecce Homo (Behold the Man), the painting was cherished by the local community.
Unfortunately, time alongside excess moisture in the walls caused the artwork to deteriorate. By 2012, the severity of the damage had become critical. Donors contributed money for the restoration of the mural, including Martínez’s granddaughter. Yet, prior to collecting full funding, the painting had been seemingly defaced.
The transformation is so drastic that it appears as if someone has intentionally set out to create a parody. The once fine and mournful visage has been replaced by broad, crude strokes. Almost cartoonish in its simplicity, gone are the gentle contours of Christ’s face that once captured the delicate play of light and shadow. Instead, there is a heavy, flat, careless application of a muddled array of gray and brown paint. His delicate mouth was modified to a thick sloping line stretching from cheek to cheek and the once-painted cascade of dark locks now resembles a smudged mass.
The act, which authorities initially attributed to vandalism, was revealed to be the well-meaning restoration attempt of Cecilia Giménez, an 81-year-old parishioner. Saddened by the art’s continued pathetic state, Giménez took it upon herself to fix it. Defending herself, she rationalized that the clergymen and priest were aware of what she had been doing and that the painting had not been completed.
It didn’t take long for the botched restoration to become a viral sensation. Jokes and memes earned the painting the nickname Ecce Mono (Behold the Monkey).
Despite the initial shock and embarrassment, as visitors across the flocked to see the painting, the “Monkey Christ” became an economic benefit for the small Spanish town.
The Mar Saba Letter/Secret Gospel of Mark
"Letter of Clement to Theodore" is in the public domain. Available at Wikimedia Commons.
In 1958, Columbia University professor Morton Smith announced that during his visit to the library within the Mar Saba monastery (located southeast of Jerusalem) he discovered a letter written in the final pages of a 17th-century book.
Penned by Clement of Alexandria, an ancient Christian theologian and Greek Philosopher, the contents of the letter address concerns about a provocative written work referred to as the “Secret Gospel of Mark.” Clement explained that this version of Mark was more spiritual and deeper, and intended for advanced Christians. Reportedly used throughout Alexandrian churches, Clement shared direct quotes from the secret gospel to describe additional accounts that offer greater insights into Christ’s teachings and His relationship with His disciples.
Quickly gaining notoriety, one particular passage became the subject of a heated debate. The passage describes an account where Christ raised a young man from the dead, after which the young man "looked upon him, loved him, and began to beg him that he might be with him." Though widely contested, this, coupled with a separate reference to a "carpenter's son" initiation rite, provoked suggestions that the secret gospel conveys a more intimate relationship between Christ and His disciples.
Since its reception, experts have remained divided on the letter’s legitimacy. Some believe the letter is a forgery Smith cooked up as some kind of joke, while others accepted the letter as a valuable manuscript that could provide a glimpse into the diversity of Christianity. However, the possibility of an official verdict has come to a standstill. Due to various complications and its subsequent misplacement, the letter never underwent any testing. Later colorized photographs that Smith took of the letter are the only evidence that remains of its existence.
Real or not, the letter has fueled discussions that explore the idea that Christian teachings may have been reserved for a more spiritually mature audience, the existence of beliefs and practices that were later abandoned, and the potential of the deliberate removal and suppression of early Christian texts.
The Gabriel Stone
"Gabriel's Stone" by Talmoryair is licensed under CC BY-SA 3.0. Available at Wikimedia Commons.
The Gabriel Stone is a large stone tablet reportedly discovered near the Dead Sea in the early 2000s. Dating back to the late first century BCE or early first century CE, it features an inscription written in Hebrew that appears to recount a vision delivered by the archangel Gabriel. Within its 87 lines of text, it references “the Prince of Princes” and the command to “arise” after “three days.”
The Gabriel Stone has generated a range of interpretations, particularly regarding its potential implications for early Judaism and Christianity. Particularly, some consider the cryptic references alluding to a figure who is expected to rise from the dead, drawing parallels to the resurrection of Christ as described in the New Testament.
However, the stone’s poor condition has caused the lettering to become fragmented. The incomplete message renders the text to be too ambiguous and speculative, leaving experts to caution against making any definitive assumptions. Still, unable to draw firm conclusions, the stone's precise significance and meaning are still debated today.
Wrapping Up
Drawing attention to the ever-present tension between truth and belief, the stories we’ve shared over the last two weeks serve as cautionary tales. Clearly, the allure of the enigmata surrounding religion makes fertile ground for deception. Inasmuch, they remind us to critically approach extraordinary claims, while simultaneously denoting our responsibility to safeguard God’s truth.
-Torrance Community Church of Christ